Michael is taking a break from the blog for 10 days. He remains, he says, “very grateful to the readers and especially to the commenters who have offered so much great thought, information, skepticism, and humor.” He hopes to be back a week from Wednesday, provided he does not lose his way, and until then is reposting some of the posts other readers have found useful. — Emilia    On Food Writing Originally Posted April 3, 2009 One of the most frequent questions I get is “I want to write about food, I want to be a food writer—how do I begin? What do I do?” And my least favorite question, “Do you have any tips?” (As if that were all one needed.) There are no tips or pointers or anything that I know that Read On »

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A lot of friends emailed me last month asking what I thought about the stink bomb Julia Moskin dropped on the cookbook world in her bitter account of chefs not writing their own books (or sometimes not even reading them). Then there was the dustup that followed—Paltrow histrionic with the Times, Regina Schrambling (indefatigable NYTimes gadfly) calling bullshit on it all, time.com weighing in decorously. So this is for my friends who asked. In Michael Symon’s book, Live to Cook, he includes a recipe of mine (naturally fermented pickles), and I wrote the headnote in his voice. How meta! The above photograph is by Deborah Jones, a different version of which appears in Ad Hoc at Home, by Thomas Keller. But wait, that’s Deborah in the picture (I am in love with her), so how did Read On »

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Zelda Fitzgerald, Vivienne Eliot, & Lucia Joyce; wives & daughters of famous writers who all danced and inspired, via Independent UK.

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Still slammed after weeks away. Part of todays work is going over 2nd pass proofs of Salumi, now scheduled for August 27th publication. First pass illustrations all out of place. Also need to check all salt concentrations. Very important! The above was taken sampling American and smuggled Italian salumi after a trip there. —MR Originally posted June 24, 2010 On our trip to Italy, Brian Polcyn and I saw a lot of new cuts we weren’t familiar with, so as soon as we returned, we made plans to break down a couple of pigs Italian style, bringing in chef Jay Denham, who was recently back from five months staging in Italy.  We wanted to see how he broke a half animal into primals and we also wanted to learn the culatello cut.  Jay had spent Read On »

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Two weeks ago, sparked by Dianne Jacobs’s question about what defines a successful cookbook, I wrote this post So You Want to Write a Cookbook. But the questions raised intrigued me so much that I reached out to two editors I currently work with and respect, asking them specifically, what books that didn’t sell well or make money do you consider to be successful and why. Maria Guarnaschelli responded at length and reached well beyond the question (if her name sounds familiar to you, it may owe to the fact that her daughter Alex, is the chef at NYC’s Butter and a Food Network regular). Her thoughts and decision-making process are a must-read for anyone writing cookbooks, and certainly for anyone who wants to. The following—as well Lorena Jones’s comments, which follow Maria’s—were conducted via email: What Read On »

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